Museologia

Dues travessies, una mar: repensant la identitat i la memòria en els museus marítims del Mediterrani

Paraules clau

Mediterrani; museus marítims; juxtaposició curatorial; estudis de la memòria; representació museística

Publicat:

27-03-2026

DOI:

https://doi.org/10.51829/Drassana.33.734

Vol. (2025):Drassana

Número complet

Resum

Aquest article explora com els museus marítims de la Mediterrània poden transcendir els relats nacionals tradicionals mitjançant l’ús de la juxtaposició curatorial com a forma de compromís ètic. Centrant-se en l’exposició An Island at the Crossroads (2024–2025) del Malta Maritime Museum, examina el potencial simbòlic d’exposar una àncora romana al costat de la joguina de flotació d’un infant migrant. Recorreguent als estudis de la memòria i a l’activisme museístic, l’article suggereix que aquests emparellaments qüestionen les històries lineals i promouen una reflexió afectiva i políticament compromesa. S’hi defensa que els museus marítims han d’esdevenir espais de consciència, on les complexes històries de fe, migració i identitat de la Mediterrània siguin interpretades críticament més que no pas simplement preservades.

Agències de suport

  • This work was financed with national funds through the FCT – Fundação para a Ciência e Tecnologia, under project UIDB/04059/2020 (https://doi.org/10.54499/UIDB/04059/2020). It stems from my doctoral research in Museology at the University of Porto, which examines national maritime museums and the representation of identities within the Mediterranean context. The research is further supported by a PhD scholarship from the FCT – Fundação para a Ciência e Tecnologia.

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Com citar

Dues travessies, una mar: repensant la identitat i la memòria en els museus marítims del Mediterrani. (2026). Drassana, 33, 171-191. https://doi.org/10.51829/Drassana.33.734